<?xml version="1.0" encoding="utf-8"?>
<journal>
<title>Iranian Journal of Educational Research</title>
<title_fa>Iranian Journal of Educational Research</title_fa>
<short_title>IJER</short_title>
<subject>Literature &amp; Humanities</subject>
<web_url>http://ijer.hormozgan.ac.ir</web_url>
<journal_hbi_system_id>1</journal_hbi_system_id>
<journal_hbi_system_user>admin</journal_hbi_system_user>
<journal_id_issn>1735-563X</journal_id_issn>
<journal_id_issn_online>2980-874X</journal_id_issn_online>
<journal_id_pii></journal_id_pii>
<journal_id_doi>10.22034</journal_id_doi>
<journal_id_iranmedex></journal_id_iranmedex>
<journal_id_magiran></journal_id_magiran>
<journal_id_sid></journal_id_sid>
<journal_id_nlai></journal_id_nlai>
<journal_id_science></journal_id_science>
<language>en</language>
<pubdate>
	<type>jalali</type>
	<year>1404</year>
	<month>12</month>
	<day>1</day>
</pubdate>
<pubdate>
	<type>gregorian</type>
	<year>2026</year>
	<month>3</month>
	<day>1</day>
</pubdate>
<volume>5</volume>
<number>1</number>
<publish_type>online</publish_type>
<publish_edition>1</publish_edition>
<article_type>fulltext</article_type>
<articleset>
	<article>


	<language>en</language>
	<article_id_doi></article_id_doi>
	<title_fa></title_fa>
	<title>Images and Imaginaries of Resistance in the Poetry of Qeysar Aminpour and Mahmoud Darwish: A Comparative Analysis of the Symbolic Structure of Resilience</title>
	<subject_fa></subject_fa>
	<subject>Educational Studies</subject>
	<content_type_fa>پژوهشي</content_type_fa>
	<content_type>Original</content_type>
	<abstract_fa></abstract_fa>
	<abstract>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color:#669933;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family:Times New Roman;&quot;&gt;&lt;span style=&quot;line-height:2;&quot;&gt;&lt;b&gt;Objective:&lt;/b&gt; This study examines the structure of images and imaginaries of resistance in the poetry of Qeysar Aminpour and Mahmoud Darwish through the lens of Yuri Lotman&amp;rsquo;s cultural semiotics.&lt;span style=&quot;font-size:9.0pt&quot;&gt;&lt;/span&gt;&lt;br&gt;
&lt;b&gt;Methods&lt;/b&gt;: &lt;span lang=&quot;EN&quot;&gt;A corpus of 64 poetic texts by the two poets was analyzed using an intratextual, comparative, and cultural-analytical approach to clarify the mechanisms of meaning-making in Persian and Arabic resistance poetry.&lt;/span&gt;&lt;br&gt;
&lt;b&gt;Results&lt;/b&gt;: &lt;span lang=&quot;EN&quot;&gt;The analysis shows that core images&amp;mdash;such as soil, blood, the palm/olive tree, and the sun&amp;mdash;play a central role in shaping the discourse of resistance. In Aminpour&amp;rsquo;s poetry, these images are associated with presence, hope, and regeneration, reflecting a faith-centered view of humanity and homeland. In contrast, in Darwish&amp;rsquo;s poetry the same images are framed through memory, absence, and loss, expressing the lived experience of exile and existence within lost or contested borders.&lt;/span&gt;&lt;br&gt;
&lt;b&gt;Conclusions&lt;/b&gt;: &lt;span lang=&quot;EN&quot;&gt;Both poets employ poetic language not merely as a means of emotional expression or protest but as a process of meaning production and the preservation of collective memory. The convergence of Aminpour&amp;rsquo;s and Darwish&amp;rsquo;s intellectual horizons suggests a comparative semiotics of resistance in which resistance is continuously reproduced within cultural and semantic frameworks. The study ultimately highlights two distinct orientations: an ontology of presence in Aminpour&amp;rsquo;s poetry and an ontology of absence in Darwish&amp;rsquo;s poetry, revealing the deep connection between poetic language and the historical memory of nations.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</abstract>
	<keyword_fa></keyword_fa>
	<keyword>Resistance, Cultural Semiotics, Qeysar Aminpour, Mahmoud Darwish, Imagery of Resistance</keyword>
	<start_page>0</start_page>
	<end_page>0</end_page>
	<web_url>http://ijer.hormozgan.ac.ir/browse.php?a_code=A-10-548-1&amp;slc_lang=en&amp;sid=1</web_url>


<author_list>
	<author>
	<first_name>Ali</first_name>
	<middle_name></middle_name>
	<last_name>Mahdavi Parsa</last_name>
	<suffix></suffix>
	<first_name_fa></first_name_fa>
	<middle_name_fa></middle_name_fa>
	<last_name_fa></last_name_fa>
	<suffix_fa></suffix_fa>
	<email>35911603856@iau.ir</email>
	<code>10031947532846004879</code>
	<orcid>0009-0004-0523-9376</orcid>
	<coreauthor>No</coreauthor>
	<affiliation>Department of Persian Language and Literature, Zah.c, Islamic Azad University, Zahedan, Iran</affiliation>
	<affiliation_fa></affiliation_fa>
	 </author>


	<author>
	<first_name>Behrouz</first_name>
	<middle_name></middle_name>
	<last_name>Romiani</last_name>
	<suffix></suffix>
	<first_name_fa></first_name_fa>
	<middle_name_fa></middle_name_fa>
	<last_name_fa></last_name_fa>
	<suffix_fa></suffix_fa>
	<email>behroz1359@iau.ac.ir</email>
	<code>10031947532846004880</code>
	<orcid>10031947532846004880</orcid>
	<coreauthor>Yes
</coreauthor>
	<affiliation>Department of Persian Language and Literature, Zah. C., Islamic Azad University, Zahedan, Iran</affiliation>
	<affiliation_fa></affiliation_fa>
	 </author>


	<author>
	<first_name>Amene</first_name>
	<middle_name></middle_name>
	<last_name>Shahbakhsh</last_name>
	<suffix></suffix>
	<first_name_fa></first_name_fa>
	<middle_name_fa></middle_name_fa>
	<last_name_fa></last_name_fa>
	<suffix_fa></suffix_fa>
	<email>Ameneh_Shahbakhsh@iau.ac.ir</email>
	<code>10031947532846004881</code>
	<orcid>0009-0007-2523-9535</orcid>
	<coreauthor>No</coreauthor>
	<affiliation>Department of Persian Language and Literature, kha. c, Islamic Azad University, khash, Iran</affiliation>
	<affiliation_fa></affiliation_fa>
	 </author>


</author_list>


	</article>
</articleset>
</journal>
